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Episode Guide

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  • BONUS | 2:35

    Inside the Episode: Midnight

  • BONUS | 2:28

    Inside the Episode: Underwater

  • BONUS | 2:16

    Inside the Episode: A Boy and His Dog

  • BONUS | 2:24

    Inside the Episode: The Man in Number 9

  • BONUS | 2:12

    Inside the Episode: The Truth

  • BONUS | 2:42

    Inside the Episode: Ocean View

  • BONUS | 2:21

    Inside the Episode: Trust Me

  • BONUS | 2:41

    Inside the Episode: What's Wrong with Norman?

  • BONUS | 2:38

    Inside the Episode: Nice Town You Picked, Norma...

  • BONUS | 3:18

    Inside the Episode: First You Dream, Then You Die

  • TRAILER | 1:00

    You're New

The Man in Number 9

Episode: 7 Premiere Date: April 29 2013

Still from episode 7 of Bates Motel
GO INSIDE THE EPISODE EXCLUSIVE PHOTOS TALK ABOUT IT

Sheriff Romero responds to Norma's 911 call and finds Deputy Shelby dead on the steps of the Bates Motel. He goes inside with Norma, Norman and Dylan and tells them what the new story will be. He discovered that Shelby and Summers were involved with some shady business, and he put an end to it. Dylan is annoyed at not having his efforts acknowledged, but Norma and Norman are delighted to have their troubles behind them.

Despite the nice breakfast Norma makes for him, Dylan says he's still moving out. He takes out the trash and finds a strange man looking at the motel who asks him about Keith Summers. Dylan tells him that Summers is dead, and the man drives away.

While working outside, Norman discovers a stray dog. He tries to lure it to him with food, but the dog runs away. At school, Norman sees Bradley. They talk briefly, but she seems distant.

Norma stops at a local restaurant to do some networking, but the owner doesn't want to associate with the Bates Motel's already tainted reputation. Norma returns to the motel and is morosely reviewing her lack of reservations when she spots a man trying to get into room 9. She confronts him and learns that his name is Jake Abernathy and he had a standing reservation at the Seafairer. She gets him a new key and he enters room 9.

Dylan returns home and offers to get Abernathy's info. He grills Abernathy but only learns that he works in "sales" before the creepy man pays in cash and shuts the door. Dylan brings the cash to Norma who is busy trying to scrub Shelby's blood from the stone walkway. Dylan tries to convince her it's futile, but she's determined to save the motel's reputation, and tired of being reminded of Shelby and his gruesome end.

The next day, Emma stops by to see Norman, but he doesn't want to hang out with her. Norma asks Emma if she would like to help her run some errands instead. As they drive, they talk about Norman and Emma tells Norma about his crush on Bradley. They go to spy on Bradley at her yoga class, and Norma is shocked to discover that this girl is, as Emma states, "A locomotive of sexual energy."

That night, Norman tries to convince his mother to let him keep "Juno," the stray dog. She reluctantly agrees, then says they need to talk. She tells him that sex is a serious thing and he shouldn't be "screwing" Bradley. Norman insists that he truly cares for her, and that they're together. When Norma scoffs at him, Norman storms out of the house.

Norman goes to Bradley's house where he pours his heart out to her, only to discover she doesn't feel the same. He leaves, and Bradley follows. Norman seems to be in a trance, repeating phrases his mother said earlier about Bradley. She catches up to him and he tells her that he doesn't think she's a nice girl. Bradley hugs him and the tension is dispelled. Norman runs home.

As he approaches the motel, he sees Juno across the street. Juno runs to Norman and is hit and killed by a passing car. Norma runs out, thinking Norman may have been hurt. He is fine, but he tells her that he's going to see Emma's dad, the taxidermist, because he can "fix dead things." Norma refuses until Norman breaks down and apologizes, saying that she was right about everything. She goes to get the car as Norman clutches Juno to his chest.

Guest Stars:

Jere Burns as Jake Abernathy

Catherine Lough Haggquist as Liz Morgan

Production Notes:

The director and producers met with several potential "Junos," but the determining factor was based on the availability of existing "stuffies" (dog dummies) since the poor pup gets run over in this episode. To build a stuffy from scratch would have taken too long, but luckily there were a couple existing stuffies in town. One option matched a german shepherd, and the other matched a terrier, so production worked backwards and auditioned some real life dogs that looked like the stuffies. Ultimately, they ended up casting a talented terrier named Boomer.

Juno, stay. Stay. STAAAAY.Juno stay! Staaaaaaaay!

Jere Burns, who plays the creepily composed Jake Abernathy (aka, the Man in Room 9) got his big break playing a very different kind of character. He starred opposite Judd Hirsch in the sitcom "Dear John," in which he played hilarious sleazeball, Kirk Morris. You may know him better from his more recent grim and gripping performances on Breaking Bad, Burn Notice, and Justified, but do you know how to pronounce his first name? Should you happen to meet him, make sure to say, "Hi, Jerry!"

Jere Burns as Jake Abernathy in Bates Motel.Make sure you pronounce it correctly. Chances are he's standing right behind you.

Sheriff Romero, played by Nestor Carbonell, really saves the day for the Bates family. By creating an official story covering both Keith Summers' and Deputy Shelby's deaths, he gets Norma off the hook, but one question remains; seriously, is he wearing tons of eyeliner or what?

Nestor Carbonell and his eyes as Sheriff Romero in Bates Motel.Gaze... so intense... getting... lost... in... his... eyes...

This question was posed by Carlton Cuse himself on a "Lost" press tour when he referred to it as the true mystery of the series. In this interview Carbonell denies wearing any kind of eye make-up with a laugh, saying, "When I was a little kid, I was about five years old and living in Mexico, and I remember my mom's friends would come over and say, 'Oh, look at his eyelashes!' I got such a complex about it that I ended up taking scissors to them once, and my mom stopped me and said, 'What are you doing?'" Happily, he has since come to terms with his eyes, saying, "What are you gonna do?"

Production notes courtesy of Terry Weaver, Andrea Fraser-Winsby, Tony Ng'ung'ui Kung'u, and Carmen Siegers.

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